Directed by: Omung Kumar

Writing Credits: Saiwyn Qadras(story and screenplay), Ramendra Vasishth(dialogue), Karan Singh Rathore(dialogue)

Cast: Robin Das Father, Priyanka Chopra, Mary Kom,Zachary Coffin German Boxing Coach, Darshan Kumaar Onler Kom, Lin Laishram Bem, Shishir Sharma (rumored), Bijou Thaangjam Naobi, Sunil Thapa Mary Kom’s Coach, Raghav Tiwari Mangi

Produced by: Sanjay Leela Bhansali producer, Vicky Bhatia line producer, Chetan Deolekar executive producer, Manoj Joshi line producer, Vijay Vinayak Joshi executive producer, Kapil Madnani line producer post, Sandeep Singh co-producer, Bhatia Viki post line producer,

Music by: Rohit Kulkarni(background music), Shashi, Shivamm

Cinematography by: Keiko Nakahara

Production Management: Sahil Parashar post-production manager, Yogiraj Shetty post-production supervisor

Second Unit Director or Assistant Director: Shuvankar Ghosh chief assistant director, Raj Gupta second assistant director, Sheba Hai assistant director, Vishal Raman first assistant director, Nitin Rana first assistant director, Vishesh Deepak Sareen first assistant director, Sharmin Segal assistant director, Nikhil Zala trainee assistant director

Film Editing by: Sanjay Leela Bhansali, Rajesh Pandey,

Casting By: Shruti Mahajan, Parag Mehta

Production Design by: Vanita Omung Kumar

Art Direction by: Vanita Omung Kumar

Costume Design by: Isha Mantry, Rajat K Tangri, Art Department, Rita Shetty(assistant art director)

Sound Department: Chiranjibi Bipin Nanda(sound designer)

Visual Effects by: Sarvesh Amre visual effects coordinator, Shruti Anan post production coordinator, Gaurav Baghel compositor: Prime Focus World Pvt. Ltd., Praveen Bareria visual effects lead, Nayan Bora lighting artist, John Britto compositor, Amit Doke lead lighting: prime focus, Vikram Donode production coordinator: Prime Focus Ltd, Piyush Dugad digital compositor, Avnish Jha senior texture artist, Lesley c Johny roto artist: prime focus, Pratik Jore visual effects artist, Walse Ketan visual effects line producer, Naveen Kosana lighting artist, Mithil Kotwal visual effects coordinator, Amit Kumar digital compositor (Prime Focus World),
Nitesh Kumar lighting artist, Abhijeet Lamture senior texture artist, Vishal Mishra show technical director, Susheel Peris on set visual effects supervisor: Prime Focus Ltd, Virendra Prajapati compositor, Mrinal Ranjan digital compositor (prime focus), Ankush Ravre visual effects artist, Reupal D. Rawal senior visual effects supervisor, Akshay Sachdeva cg composting lead, Preetam Saha compositor, Gautam Sarode matchmove artist, Jimit Shah background prep artist, Amanraj Sharma digital compositor, Satyendra Sharma Lead prep artist

Stunts: Robert Miller boxing choreographer, Parvez Shaikh action director

Camera and Electrical Department: Kapil Dubey key grip, Ganesh S. Hegde first assistant camera, Vivek Kandasamy digital film engineer (as Viki Vivek), Laxman B. Nadar digital imaging technician (as Laxman Nadar), Murzy Pagdiwala second director of photography, Rraja Sanjay Choksi making cinematographer

Animation Department: Vumzolian Gwite animator

Costume and Wardrobe Department: Manoj Kumar costume assistant

Editorial Department: Swapnil Dilip Dhaktode assistant editor: making of movie, Rahul Kumar Singh making-of editor, Ravikant Soitkar editor of making

Music Department: Probir Dutt incidental music, Prashant Ingole lyricist, Sandeep Singh lyricist

Other crew: Arjun Ahuja making of, Sanjay Leela Bhansali creative director, Jyothi Kapur Das Creative Head, Jim Dobson publicist, Shuvankar Ghosh post production supervisor, Vasudevan Kothandath visual promotion, Robert Miller sports coordinator, Rraja Sanjay Choksi making graphics designer, Jayesh Shikarkhane visual promotion

Mary Kom

The movie begins in earnest by showing an incident that builds her interest in self-defense before showing her first interaction with a boxing gymnasium and coach and her entry into boxing. The movie then tells the story of her initial training, her struggle with a new sport, her immense dedication and will, her passion, while at the same time showing the immense struggle of balancing the needs of home and boxing and the additional sacrifices that she had to make to pay for her classes and equipment, all in the context of the poverty that was a constant in her early life.

The script builds up to the reasons for Mary’s first unsanctioned fight and the immense odds that she faces against a fancied opponent to win some money for her family. The script them engages with Mary’s relationship with the officialdom of the boxing federation and weaves in the challenges of that relationship into her burgeoning professional career in the larger context of Onler’s proposal and her decision to marry him and then giving birth to twins Mary is shown balancing the demands of her training with the demands of her young children and how the balance is made possible by the unending attention of Onler, who learns to take care of the children under Mary’s supervision.

The story shows how the country writes her off and the pressures on her and her family to have her quit. And then it is shown how she makes a comeback and wins accolades, along with taking care of family and children.